<p dir="ltr">Throughout 2021, <a href="https://www.aup.ac.uk/courses/undergraduate/ba-hons-costume-production">BA (Hons) Costume Production</a> students created costumes for a variety of productions at the theatre, including goblin puppets and a fairy queen costume for the Spellbound Fairy and Goblin Festival held during the summer. Most recently, work created by students Teryl McCarthy Reid and Freya Holland in their first year of study was seen in the Quest for the Ice Dragon performance.<br /></p>

<p dir="ltr"><a href="https://www.aup.ac.uk/people/marie-dunaway">Marie Dunaway</a>, Senior Lecturer and Subject Leader for <a href="https://www.aup.ac.uk/courses/undergraduate/ba-hons-costume-production">BA (Hons) Costume Production</a> at Plymouth College of Art, said: “Teryl and Freya did such excellent work on the wizard costume for The Quest for the Ice Dragon, it was executed to a high standard. Using designs by Jacqueline Slade, co-founder of the Soapbox Children’s Theatre, they created a coat with a complicated design that included multiple godet insertions and fabric manipulation to mimic dragon teeth, as well as being lined and robustly-made to be worn in all weathers.”</p> <p dir="ltr">Diane Manoury, a second-year <a href="https://www.aup.ac.uk/courses/undergraduate/ba-hons-costume-production">BA (Hons) Costume Production</a> student, was recently employed as a Front of House Assistant at the Soapbox Children’s Theatre, where they will have hands-on opportunities to support future productions and gain invaluable insights into the needs and routines front and back-stage at a working theatre company.</p>

<p dir="ltr">From script analysis to character realisation, our BA (Hons) Costume Production students develop practical and design skills for costume in performance, with a combination of technical focus with opportunities to experience the performance industry first-hand.</p> <p dir="ltr">Both academically robust and creatively stimulating, the hugely diverse range of processes and media that we offer make us an exciting place to study costume production. Interdisciplinary collaboration is actively encouraged, particularly amongst peers in film and other media productions. Our students gain unrivalled access to a range of digital processes, textile printing and 3D-making.</p> <p dir="ltr">Senior Lecturer and Subject Leader <a href="https://www.aup.ac.uk/people/marie-dunaway">Marie Dunaway</a> has worked as a costumier and supervisor for a variety of theatre companies including The Royal Exchange Manchester, The Royal Shakespeare Company and Channel 4, in addition to working as the Deputy Wardrobe Manager at Theatre Royal, Plymouth on West End Productions for Cameron Mackintosh and Andrew Lloyd Webber. Other Costume Production lecturers have specialisms that include pattern cutting and tailoring, millinery, 3D costume prop making, non-traditional performance practices and writing for performance, with a wide range of experience of working on film and TV productions, including <em>Poldark</em>,<em> Rebecca, Book of Mormon</em>, <em>The Ghost Ship</em> and <em>Frontier</em>.</p> <p dir="ltr">To find out more about studying <a href="https://www.plymouthart.ac.uk/courses/undergraduate/ba-hons-costume-production">BA (Hons) Costume Production</a> at Plymouth College of Art, visit an <a href="https://www.plymouthart.ac.uk/open-days">Open Day</a>.<br /></p>